Spires/Kaleidoscope Magazine
MCLA's student literary and arts journal since 1967.
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Spires is the Massachusetts College of Liberal Art’s student literary and arts journal. This version of the literary journal began publishing in 2001 and just recently published their twenty-third edition. The magazine, however, has a much longer history at the college. From 1967 until 2001, it had been consistently published at least once an academic year under the name Kaleidoscope. The name change did not affect the quality or the style of the magazine but was done to separate it from other publications in the field. As the first issue of the Spires mentioned, “after consulting with Barry Sternlieb of Mad River Press, we found out that Kaleidoscope was a very common name among literary magazines nationwide. Feeling that it was important to show our distinction from all the others, we sought a name that would better reflect our school and the area it is located in.” Both versions of this student-run, faculty-supported magazine seek to share student work, both academic and personal, on campus and with the greater North Adams community.
The first issue of Kaleidoscope as the “campus literary magazine of North Adams State College” was published by students, with help from Professor Robert R. Wheeler of the English Department, in November of 1967. The magazine was then published twice a semester, or around four times per academic year, until 1970. It is unknown exactly why the staff decreased publication down to once an academic year after 1970, but one could guess that it had to do with availability of resources (ie. money and time) or lack of submissions. Nevertheless, the ever-changing Kaleidoscope staff and editors continued publishing the magazine each spring semester.
The Kaleidoscope staff accepted and “greatly appreciate[ed] any faculty and staff submissions of literary, photographic, and/or artistic works for its publication,” in addition to student submissions. To the staff, “poems, short stories, photographs, and ink drawings [were] all welcome contributions.” The staff of today’s Spires magazine continues the tradition of accepting these types of submissions, while also expanding the magazine’s repertoire to include digital artwork and collages. Spires’ staff also maintains the tradition of not establishing a specific theme for each publication, although the staff do admit that “a trend almost always emerges when all the work is read through and organized.” Additionally, issues of Spires from 2012-2023 were digitized and can be accessed at their website, www.mclaspires.com/.
Although each publication of Spires or Kaleidoscope is unique, all issues of the journal are meant to share MCLA student art with the world. As editors of the Kaleidoscope magazine stated in 1979, this literary journal is “put together by people who are like you, with material written drawn and photographed by people who are like you; they share more than rooms 208 or 101…they share with you the common bond between all people—the bond of humanity.”
Files

Kaleidoscope (1983)
Starting in the 1980s, the layout and physical dimensions of Kaleidoscope magazine began to change. The magazine spent approximately ten years in this horizontal format | Source: Kaleidoscope, 1983, Freel Library Archives, Box A IV 6a
Kaleidoscope (1967)
The first ever publication of Kaleidoscope magazine features a very home-made, grungy aesthetic and set the precedent for black and white photo covers for the magazine. Subsequent magazines have experimented with other styles of cover, but black and white images/drawings remain consistent throughout both Kaleidoscope and Spires. | Source: Kaleidoscope, November 1967, Freel Library Archives, Box A IV 6a
Kaleidoscope (1974)
This is the only edition of Kaleidoscope to partially abandon the straight-forward folded magazine style. The left panel of the magazine folds out into a “sampler” page, while the right half remains a standard booklet. Image courtesy of Kaleidoscope, 1974, Freel Library Archives, Box A IV 6a. | Source: Kaleidoscope (1974), Freel Library Archives, Box A IV 6a
Kaleidoscope (1971)
Most of the works inside early copies of Kaleidoscope magazine are printed in black and white, if they were not intentionally draw/photographed that way. However, certain works are printed in color, such as this piece from the 1971 edition of Kaleidoscope, which remembers the Vietnam War. | Source: Kaleidoscope (1971), Freel Library Archives, Box A IV 6a.
Kaleidoscope (1971)
Some of the works submitted to both Kaleidoscope and Spires were done as assignments for classes, which were later independently submitted, as demonstrated by the image on the left, created by Nancy LePage, for Art 100. | Source: Kaleidoscope (1971), Freel Library Archives, Box A IV 6a
Kaleidoscope (1968)
Early editions of Kaleidoscope were created through the financial sponsorship of North Adams stores and companies. This particular edition was sponsored in part by Sprague Electric, which was a massive employer in the city and formerly operated out of the buildings that currently house the Massachusetts Museum of Contemporary Art (MASS MoCA). | Source: Kaleidoscope (1968), Freel Library Archives, Box A IV 6a
Kaleidoscope (2000)
The 2000 edition of Kaleidoscope magazine was its last before becoming Spires and it demonstrates the third set of changes to the magazine’s form, the addition of digital components and the use of digital design software. | Source: Kaleidoscope (2000), Freel Library Archives, Box A IV 6a